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Fri. Oct 03 2014
Silver Wrapper presents:

Slow Magic



Friday, October 03 2014 9:00 PM
18+ $15.00

Lincoln Hall
Jam USA button

Slow Magic is the sound made by an unknown imaginary friend.


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Tags | 18+ | Follow | @SlowwwMagic | @LincolnHall |
Sat. Oct 04 2014

Saturday, October 04 2014 9:00 PM
18+ $15.00

Lincoln Hall
Jam USA button

“Family” is a word that encompasses a variety of definitions. With that in mind, let this introduction to Kopecky Family Band be taken with an open mind and with a grain of salt. This family is connected not by blood or by heritage, but by circumstance. This is a family bound by the miles on their odometer and by the songs they have crafted over the years. These six young musicians have created a family through their commitment to each other and to their craft. Crack open your dictionary, if you need to.

The Kopecky Family Band – a non-traditional family, at that – is dynamic, and they wield an equally dynamic slew of instruments. Their thoughtful songwriting is supported by a diverse backdrop of sound. And the musical canvas is covered with broad brushstrokes – ranging from clanging tambourines and guitars, booming percussion, intelligent string arrangements, and triumphant horns. These six bandmates – siblings, if you will – swap their musical tools without a second thought, creating an emotive, adventurous, and energetic environment onstage.

In late 2007, founding members Kelsey Kopecky and Gabriel Simon became united with four friends who shared a mutual vision. They planted seeds that have been nurtured for the past five years through persistent touring and recording – and those seeds are rapidly reaching maturity. With thousands of miles traveled, and surely thousands to come, the Kopecky Family Band is only just beginning their adventure – and they want to bring you along for the ride.


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Tags | 18+ | Follow | @KopeckyFamily | @LincolnHall |
Wed. Oct 08 2014

Wednesday, October 08 2014 8:00 PM
18+ $20.00

Lincoln Hall
Jam USA button

It was the kind of bar where nobody nice goes on the kind of street where nobody nice lives, which is probably what made it so cheap, which is definitely what made We Are Scientists take meetings there. Not that Murray & Cain were cheap, but they could do math just fine. If they were sticking a quarter into a video game machine, they’d just as soon the thrills last for more than thirty seconds. Same with buying a lady dinner. Of course it had been a long time since video games or dinner with a lady cost a quarter, and anyway they weren’t looking for video games or ladies, except in the deep-down quiet way that men always are. They were looking for a producer.



“The band’s finely nuanced and understated treatment of the [late 80s / early 90s] era works on Pythons. Aided by Foo Fighters and Pixies producer Gil Norton, Surfer Blood conjure college rock’s feeling of youthful, nostalgic melancholy without using any of the sub-genre’s gimmicks.” – NME, 8/10 rating


Tags | 18+ | Follow | @wearescientists | @surferblood | @LincolnHall
Fri. Oct 10 2014

Friday, October 10 2014 9:00 PM
18+ $20.00

Lincoln Hall
Jam USA button

Easton, MD -- Front porch of producer John Alagia's house on the Chesapeake Bay.

I've just woken up from another end of the world dream where Bon Jovi was an alien planting explosive devices in cupboards that eventually cause massive flooding when I decide I need to do a morning coffee run (ok, I need cigarettes) so I grab my keys and head to town. E-Rob (Eric Robinson), our engineer, is just going to bed after working late on a vox comp for 'You Won't Let Me' and it occurs to me how I've truly lucked out with the people involved in "Chesapeake."

I am in the studio. And when I say studio, I mean Alagia's house that we've spent weeks converting into a studio. We shipped gear, borrowed microphones, amps, guitars, and a grand piano that's living in his bedroom (because that's where we get the best sound). We housed vox mics in his shower for some natural reverb and of course the porch where I write this -- a past scene of pre production jams complete with drums made out of cardboard beer cases and recycling bins -- cellos stuck in wads of duck tape so as not to slip on the floor, a wurly set up by the table of receipts I'm calling 'my office' etc.


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Tags | 18+ | Follow | @rachaelyamagata | @LincolnHall |
Sun. Oct 12 2014
93XRT welcomes...

Ásgeir



Sunday, October 12 2014 8:00 PM
18+ $14.00

Lincoln Hall
Jam USA button

Ásgeir is a singer-songwriter from Iceland. With the release last September of ‘Dyrd i daudathogn’, at just 20 years of age Icelandic singer- songwriter Ásgeir has become something of an overnight sensation in his country’s music scene - breaking all records to become Iceland’s fastest selling debut album by a domestic artist.

That was reinstated at the Iceland Music Awards that took place on February 20th, Asgeir making an impressive sweep of the board, picking up Best Pop/Rock Album, Best Newcomer, Icelandicmusic.com Award for online achievement and the Public Choice Award.

Produced by Gudmundur Kristinn Jonsson, Dyrd í dauðathogn (‘In the Silence’) immediately recalls the heavenly vocals of Bon Iver’s Justin Vernon and light electronic touch of British glitch pop sensation James Blake. In Iceland, the unusual poetry of lyrics have attracted almost as much attention as the music itself, in part because they are mostly written by Ásgeir’s 72 year old father.

The songs themselves, however, are all Ásgeir: light and airy, inset with his distinctive melancholic voice their vibrancy elevates their appeal way beyond the folktronica tag.

One such fan of Dyrd i daudathogn was John Grant (‘Queen Of Denmark’) – currently resident of Iceland himself – who has collaborated with Ásgeir to create an English language version, 'In The Silence', which is out now.


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Tags | 18+ | Follow | @AsgeirMusic | @LincolnHall |
Wed. Oct 15 2014

Wednesday, October 15 2014 8:00 PM
18+ $14.00

Lincoln Hall
Jam USA button

For X Ambassadors, an unshakable sense of brotherhood has long shaped the sound and spirit of the band. Growing up in small-town upstate New York, frontman Sam Harris, his brother Casey, and childhood friend Noah Feldshuh bonded over an obsessive love for punk, rock & roll, soul, and hip-hop that defied the conventions of their peer group. Forming their first band in middle school, the three channeled their infatuation with artists as eclectic as The Stooges and The Staple Singers into a string of musical projects that sharply clashed with their local scene’s favoring of folk and country. After graduating high school and decamping to New York City in search of a greater music community, the Harris brothers and Noah joined up with L.A.-raised drummer Adam Levin—a move that helped X Ambassadors solidify their sound into a groove-fueled take on alt-pop, and ultimately land a deal with KIDinaKORNER/Interscope Records.

Born in Bristol, England, Commons was relocated to Chicago with his family at the age of six, and for the next eight years he was immersed in the city where the Chicago blues was born, and the music became his lifelong passion. He returned to England's West Country six years later at the age of 16, taking with him a clear sense of the blues and its role in the mythic allure of the American South, not to mention an Americanized accent. Commons learned how to play the guitar and then moved to London to study music at Goldsmiths in New Cross, emerging in his twenties with a hoarse, gravel-laced voice that belied his years and a dark, Southern swamp gospel vision of songwriting.



Tags | 18+ | Follow | @LincolnHall | @ |
Thu. Oct 16 2014
The Big Beat on XRT welcomes...

Foxygen



Thursday, October 16 2014 9:00 PM
18+ $15.00 $18 Doors

Lincoln Hall
Jam USA button

Foxygen is the bi-coastal songwriting duo of Sam France (vocals, Olympia, Wash., 22 years old) and Jonathan Rado (guitar/keyboards, NYC, 22). They are the raw, de-Wes Andersonization of The Rolling Stones, Kinks, Velvets, Bowie, etc. that a whole mess of young people desperately need. They create a sometimes-impressionistic, sometimes-hyper-real portrait of sounds from specific places and times. Yet, it never comes across as anything but absolutely modern music. They bring the manic, freewheeling qualities of an artist like Ariel Pink to those aforementioned influences to make for one of the most refreshing listens of the year. They are the real deal and total savants. Their albums are love letters to vinyl collections.

Jagjaguwar is proud to share with you Foxygen’s bedroom masterpiece, Take the Kids Off Broadway.

The first track, “Abandon my Toys,” only gives you two seconds of electronic soundery before acoustic instruments take over along with a vocal that sounds channeled in by a medium. “Why Did I Get Married?” plays like a mournful lounge act until about the two minute mark, when it starts to crash into something else, and a gooey kind of Ray Davies vocal gives way to shouts and barks. After you listen to even a few songs on the album, any attempt to define its genre will start with a discussion and end with a shrug, maybe a “rock and roll?” or a “psychedelic?” And that’s how shit needs to be said. More question marks. Less periods. Less declarations. Cause it’s only questions that can take us where we need to be, to a place of profound and active ignorance. As a tiny organism adrift on a sea of infinite nuance, ignorance is the only honest state of being. And Take the Kids off Broadway is an album full of question marks. It’s time for a motherfucking paradigm shift. Foxygen knows this. Or at least they sound like they do. A hard rain’s going to fall. Get ready.


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Tags | 18+ | Follow | @foxygentheband | @LincolnHall |
Wed. Oct 22 2014

Wednesday, October 22 2014 8:00 PM
18+ $15.00

Lincoln Hall
Jam USA button

Working under the apt nameplate The White Buffalo, singer/songwriter Jake Smith has resolutely charted his own single-minded course for more than a decade. An imposing figure with a voice to match, a resonant, roughhewn baritone, Smith writes about rebels, outsiders and troubled souls battling their way through the obstacles life throws in their paths, telling timeless tales generally set against recognizably contemporary backdrops. “I skirt the line between good and evil in a lot of my songs,” Smith points out. The hard-bitten themes and performances that have defined his career led the producers of Sons of Anarchy to grab six of Smith’s songs for use under scenes in the similarly edgy series, while The White Buffalo’s “American Dream,” written specifically for the 2013 feature film The Lone Ranger: Wanted, appears on the soundtrack album alongside contributions from fellow iconoclasts Lucinda Williams, Dave Alvin, Iggy Pop, Ben Kweller, The Aggrolites, Shane MacGowan of The Pogues and Iron & Wine.


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Tags | 18+ | Follow | @blancobuffalo | @LincolnHall |
Fri. Oct 24 2014

Friday, October 24 2014 9:00 PM
18+ $15.00 $18 Doors

Lincoln Hall
Jam USA button

At the tender age of 24, Noah Gundersen is already a young veteran who recorded his first album on his dad’s Tascam Studio 8 reel-to-reel home tape machine at 13. Born in the tiny town of Centralia, WA—about midway between Portland and Seattle—Gundersen has honed his craft through a series of albums, both solo (with his sister Abby, an expert string player) and with their band The Courage. He’s already placed songs on TV shows like Sons of Anarchy (the title track from his 2011 solo album Family, “David” and “He Got Away,” a track he sang written by the show’s creator Kurt Sutter and music supervisor Bob Thiele Jr.), Vampire Diaries (“Family”) and One Tree Hill (“Middle of June” from his 2009 EP Saints and Liars).

His latest album, Ledges, self-produced and recorded at Pearl Jam guitarist Stone Gossard’s Studio Litho in Seattle, represents the latest stop in a journey which began in his strictly conservative, religious home growing up, where he was strictly forbidden to listen to secular music. Instead he grew up listening to Bob Dylan’s gospel albums, along with Christian artists such as Keith Green, Larry Norman and Rich Mullins.

“I’m not a religious person anymore, but I’ve learned that spiritual energy transcends religion and that’s something I’ve attempted to incorporate into my music,” Noah explains.

An impressive personal work, Ledges co-mingles the sensual and the sexual with the spiritual, often using religious and biblical imagery like Leonard Cohen to plumb the depths of everyday emotions and feelings. The album explores doubt and faith, sin and redemption, mortality and transcendence in 11 songs that get underneath the skin and cut to the heart.


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Tags | 18+ | Follow | @noahgundersen | @LincolnHall |
Tue. Oct 28 2014

Tuesday, October 28 2014 8:00 PM
18+ $14.00

Lincoln Hall
Jam USA button

"Without/Within," the sophomore EP from critically acclaimed British trio Bear's Den will be released March 4, 2014, via Communion Records.

Ian Grimble (Travis, Manic Street Preachers) produced "Without/Within." Of the new music Andrew Davie (vocals, guitar) notes, "The songs were in many ways our most personal yet and also our most ambitious sonically. Joey's playing is particularly beautiful to me and his guitar and banjo melodies carry the songs so perfectly at times. Kev was experimenting more with synth bass and piano on top of drums before anyone else even picked anything up. I was experimenting for the first time in my life really on electric guitar and with delayed and reversed guitar loops. We all had our own responsibilities within this record and we all had complete belief and trust in each other. We wanted to push ourselves so that we could grow into the songs on the road and hopefully push ourselves to become a better live band because of it."


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Tags | 18+ | Follow | @bearsdenmusic | @LincolnHall |
Sun. Nov 02 2014
Silver Wrapper presents:

Goldfish



Guest

Guest

Sunday, November 02 2014 9:00 PM
18+ $15.00

Lincoln Hall
Jam USA button

The secret is officially out. An electronic duo from the Southern-most tip of Africa have gone from one of Dance Music’s best kept secrets to an act tipped by industry tastemakers as the band to watch this year.

Their genre-defying mix of live instruments, House beats and searing live performances has seen Goldfish go from impromtu jams at a tiny beach club in Cape Town to headlining Amsterdam’s Olympic Stadium, cracking a top 10 on the US iTunes Dance chart, a residency at Pacha Ibiza with David Guetta and DJ’s like Fedde le Grand knocking at their door to do remix their tracks. It’s almost hard to believe that not very long ago they were just Dom and Dave, two music students who lived a relatively chilled life of surfing and playing music in their home town Cape Town.

All that really did change when they decided to record an album. Not having a record deal or much money, they simply locked themselves in a bedroom...with a double bass, a saxophone and a couple of synths, recording their debut Caught In The Loop on their own. A charming dance record that received massive support from the international dance music scene, desperate for something fresh and new. Pete Tong even called it his "Ibiza Poolside Album of the Summer".


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Tags | 18+ | Follow | @GoldFishLive | @LincolnHall |
Fri. Nov 07 2014
react presents:

Chris Malinchak



Guest

Guest

Friday, November 07 2014 10:30 PM
18+ $18.00 $18 Adv. // $22 Doors

Lincoln Hall
Jam USA button

Chris Malinchak is a Brooklyn-born American DJ and record producer best known for his debut single "So Good to Me" which was released on 5 May 2013 in the United Kingdom.

Chris Malinchak’s new single ‘Stranger’ (featuring Mikky Ekko) will receive an official US release on July 8, 2014. Premiered by Radio 1’s Pete Tong, ‘Stranger’ – Malinchak’s third Essential New Tune and a HypeMachine #1 - marks a distinct new sound for the New Jersey producer, combining a dizzying contemporary take on soulful funk and glitter ball disco. Describing the track, Malinchak says it expresses “a bigness, freshness and a sound that will surprise everybody.

‘Stranger’ follows the phenomenal success of Malinchak’s recent singles ‘If U Got It’ and the UK No.2 hit ‘So Good To Me’, the latter topping 25 million views on YouTube, hitting #1 on the Shazam charts, dominating the dancefloor and radio, and moving Adele to describe it as “beautiful’. Written while working at a gas station, alongside another part time job “dropping things off for a pharmacy”, ‘So Good To Me’ came to Malinchak through the perks of the jobs downtime. As he explains, “I find myself writing all the time…depending on the occasion I may be more or less conscious of it. Pumping gas was great! I would write and my mind would wander.” The song eventually went on to silver certification in the UK.



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Tags | 18+ | Follow | @chrismalinchak | @LincolnHall |
Wed. Nov 12 2014

Wednesday, November 12 2014 10:30 PM
18+ $25.00

Lincoln Hall
Sold Out Jam USA button

“Broad City” is a weekly, half-hour scripted series featuring Upright Citizens Brigade alums Abbi Jacobson and Ilana Glazer airing Wednesdays at 10:30 p.m. ET/PT on Comedy Central. The series is an odd couple comedy about two best friends navigating their twenties in New York City whose adventures always lead down unexpected and outlandish paths. They’re broke, flawed and don’t shy away from the sticky situations NYC throws at them -- they dive right into the muck. But no matter how bad it gets, these young broads are always down with whatever hits them.

Tags | 18+ | Comedy | Follow | @LincolnHall | @ |
Wed. Nov 19 2014

Wednesday, November 19 2014 8:00 PM
18+ $15.00

Lincoln Hall
Jam USA button

One night a little over a year ago, two young men burst into New York City’s Lower East Side mainstay Katz’s Delicatessen and held the joint up. Sort of. Brothers Isaac and Thorald Koren, musicians who, along with drummer Shakerleg, make up New York City band The Kin, were looking to rob ears, not wallets. “Ladies and gentlemen, this is a musical robbery!” shouted Isaac as he strode in with Thorald on his heels strumming a guitar. The duo launched into an original song, “Downtown Train,” for the restaurant’s patrons, winning them over with their energetic performance, rich harmonies, and sheer nerve. By the end, the Korens had the restaurant’s unsuspecting patrons whistling and clapping along — no easy feat as anyone who’s ridden a NYC subway and tried to ignore a spectacle unfolding in front of them knows.

The Kin have launched several of these “musical robberies” over the last year, including at the Sundance Film Festival, SXSW, Soho House in Los Angeles, and even at a French airport. “We’re looking to surprise people and give them a musical experience,” Isaac says. “Or maybe we’re just adrenaline junkies, because it feels like a drug the body is releasing when we make that connection with other human beings based on our music. Even if it’s just for a split second, it’s a rush for everyone involved.” The Kin will launch the first chain of musical robberies as they support P!NK on her US tour this Fall. They will also release a musical robbery video for their own ‘Get On It’ tour in Australia and NZ this month, where they are #2 on the charts with a Gold record.


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Tags | 18+ | Follow | @thekin | @LincolnHall |
Sun. Nov 23 2014

Sunday, November 23 2014 8:00 PM
18+ $15.00 $15 Adv. // $18 Doors

Lincoln Hall
Jam USA button

Widely recognized as the first openly gay country music album—and cited as such even by Nashville institutions like the Country Music Hall of Fame and CMT—the landmark self-titled 1973 LP by Lavender Country stands as nothing less than an artifact of courage, a sonic political protest document of enormous power, clarity, and grace.

At once a scathing indictment of the injustices perpetrated on the homosexual community, a proud proclamation of gay identity, and a love letter of bracing intimacy and eroticism, the album radically appropriates the signifiers of the conservative country genre, queering its heteronormative vocabulary into a deeply personal language. Songwriter, singer, and guitarist Patrick Haggerty, a fearless first-generation gay liberation activist and artist, seasons his songs with Yippie deviousness; in the manner of the Cockettes, the laughs both sharpen and sweeten the impact. To our ears the inimitable aesthetics and glimpses of cockeyed humor recall some ethereal psych-folk nexus of the Flatlanders and the Holy Modal Rounders as much as any standard country and western forebears, rendering the biting poetry in an even more otherworldly and timeless light.


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Tags | 18+ | Follow | @LincolnHall | @ |
Sat. Dec 13 2014
Silver Wrapper presents:

The Main Squeeze



Guest

Guest

Saturday, December 13 2014 9:00 PM
18+ $15.00 $15 Adv. / $18 Doors

Lincoln Hall
Jam USA button

The Main Squeeze is a raging funk experience born within the thriving live music scene of Bloomington, Indiana, and currently residing in Chicago, IL. Since coming together in late 2009 The Squeeze have managed to establish a unique sound and identity in a short period of time. The Squeeze just released their debut self-titled album in June 2012. Much like each member’s varied backgrounds and influences, the album itself contains an eclectic blend of inspiration which seamlessly navigates through funk, rock, electro, and jazz, while still rooting itself in something that’s uniquely their own. Whereas ‘First Drops’ found the band searching for their voice in the studio, their newest offering picks up miles beyond where they left off. Just one listen to tracks like the epic “I’ll Take Another” (clocking in at nearly ten minutes), the soulful trifecta of “Where Do We Go”, or the impeccable horn arrangements on “Mama Told Me” and it’s clear that the band possesses a musical maturity well beyond their years. Their unique ability to tackle and funkify such a wide variety of music makes each show a unique experience in its own right. Their live performances, which fuse soulful vocals, intricate jams, tight grooves, and ripping solos have helped them develop a dedicated and rapidly growing fan base in the Midwest and the East Coast earning them slots at music festivals such as Bonnaroo, Summer Camp, Equifunk, Big Pig, and GlowFest. If you’ve ever wondered whether the juice is worth the squeeze, you should look no further – The Main Squeeze is sure to be hitting a city near you sometime soon, leaving their crowd funkified and freshly squozen.


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Tags | 18+ | Follow | @MainSqueezeMe | @LincolnHall |
Sat. Dec 27 2014

Saturday, December 27 2014 9:00 PM
18+ $15.00

Lincoln Hall
Jam USA button

With ORPHAN, Empires climb to rare heights. Their vivid rock ‘n’ roll is now fused with an imaginative and open-armed approach. Born of singer Sean Van Vleet’s fascination with contemporary popcraft, songs like “Please Don’t Tell My Lover” and the night-driving “How Good Does It Feel” see the Chicago-based band adopting time-honored romantic idioms, both musical and lyrical, to mask deeper and darker personal truths.

Van Vleet put pen to paper and began to write in a wholly free space, with no expectations or endgame in mind. He explored a musical language that was quite literally out of character, imagining his songs performed not by Empires but by some indeterminate modern pop thrush.


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Tags | 18+ | Follow | @weareempires | @Schubas |
Tue. Dec 30 2014

Tuesday, December 30 2014 8:00 PM
18+ $20.00 $20 Adv. // $25 Doors // $40 Two Show Pass

Lincoln Hall
Sale not Started Jam USA button

"I'm not that old but I'm getting pretty wise" -- a sentiment within the early seconds of The Orwells' new album, Disgraceland, that pretty much sums up the eleven tracks that follow it. Two years have passed since the band emerged from their boring Chicago suburb as five high schoolers hellbent on reminding the world that American rock & roll is still alive. A lot has happened since then for The Orwells. They've slain and sweated on audiences around the world, recorded with their favorite contemporary producers, shared the stage with childhood heroes, raked in accolades from distinguished publications and even had David Letterman begging them for more. And now, as they release their irresistibly raucous yet masterfully architected Disgraceland on Canvasback Music, The Orwells are getting pretty wise.

The story of Disgraceland -- recorded last fall at studios in London, Chicago, New York, Los Angeles and Woodstock, NY -- is the story of The Orwells escaping the confines of their hometown and of their own expectations for themselves. Back when they made their 2012 debut album, Remember When, they were recording by themselves in guitarist Matt O'Keefe's parents' basement. O'Keefe, bassist Grant Brinner, his brother, drummer Henry Brinner, guitarist Dominic Corso and his cousin, singer Mario Cuomo, had been playing together since 9th grade. "We were hoping eventually something would happen and it would become serious," says O'Keefe. "We were like, 'We love writing songs, so let's just keep doing it.' When we were writing those early songs, the goal was just to make all the other bands in our high school jealous." Maybe one day, they thought, they'd get to be as beloved as their heroes The Black Lips. "You make good music, say what you wanna say and have a good time -- that was what we were shooting for," O'Keefe continues. "But now that we're a little older, the goal is bringing rock & roll back to everybody's car speakers. Sometimes you get afraid to go to the highest point you can, at the price of being called sell-outs or whatever. But we say fuck that, if we can get every single kid playing rock and roll music in their parents' car stereos, that's what we wanna do."


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Tags | 18+ | Follow | @TheOrwells | @LincolnHall |
Wed. Dec 31 2014
New Year's Eve with...

The Orwells



Guest

Guest

Wednesday, December 31 2014 10:00 PM
18+ $30.00 $30 Adv. // $35 Doors // $40 Two Show Pass

Lincoln Hall
Sale not Started Jam USA button

The Orwells play both 12/30 and 12/31. A limited number of two show passes are available on the 12/30 listing.

"I'm not that old but I'm getting pretty wise" -- a sentiment within the early seconds of The Orwells' new album, Disgraceland, that pretty much sums up the eleven tracks that follow it. Two years have passed since the band emerged from their boring Chicago suburb as five high schoolers hellbent on reminding the world that American rock & roll is still alive. A lot has happened since then for The Orwells. They've slain and sweated on audiences around the world, recorded with their favorite contemporary producers, shared the stage with childhood heroes, raked in accolades from distinguished publications and even had David Letterman begging them for more. And now, as they release their irresistibly raucous yet masterfully architected Disgraceland on Canvasback Music, The Orwells are getting pretty wise.

The story of Disgraceland -- recorded last fall at studios in London, Chicago, New York, Los Angeles and Woodstock, NY -- is the story of The Orwells escaping the confines of their hometown and of their own expectations for themselves. Back when they made their 2012 debut album, Remember When, they were recording by themselves in guitarist Matt O'Keefe's parents' basement. O'Keefe, bassist Grant Brinner, his brother, drummer Henry Brinner, guitarist Dominic Corso and his cousin, singer Mario Cuomo, had been playing together since 9th grade. "We were hoping eventually something would happen and it would become serious," says O'Keefe. "We were like, 'We love writing songs, so let's just keep doing it.' When we were writing those early songs, the goal was just to make all the other bands in our high school jealous." Maybe one day, they thought, they'd get to be as beloved as their heroes The Black Lips. "You make good music, say what you wanna say and have a good time -- that was what we were shooting for," O'Keefe continues. "But now that we're a little older, the goal is bringing rock & roll back to everybody's car speakers. Sometimes you get afraid to go to the highest point you can, at the price of being called sell-outs or whatever. But we say fuck that, if we can get every single kid playing rock and roll music in their parents' car stereos, that's what we wanna do."


More

Tags | 18+ | Follow | @TheOrwells | @LincolnHall |
Fri. Jan 02 2015

Friday, January 02 2015 10:00 PM
18+ $25.00 $25 Adv. // $30 Doors

Lincoln Hall
Sale not Started Jam USA button

Before American Football, guitarist Mike Kinsella (Cap'n Jazz, Joan of Arc) and drummer Steve Lamos played in The One Up Downstairs with Dave and Allen Johnson (both of Very Secretary). The One Up Downstairs recorded a 3-song 7" which was to be released by Polyvinyl. Prior to the single's release, however, the group disbanded. (This recorded material was not unearthed until 2006, when incredible demand brought about a digital release of The One Up Downstairs EP). Soon after, Steve and Mike began practicing with guitarist Steve Holmes and American Football was born. After writing and practicing for about one year, they released a 3-song CDEP on Polyvinyl in October 1998. The band played a few shows around the Midwest and then recorded a self-titled album which Polyvinyl released in September 1999. Following the release, American Football played a few more shows in the Midwest and one show at New York University. About a year after the album had been released, American Football became primarily a studio project before its members mutually decided to quit recording together. Steve Lamos formed DMS before reuniting with Steve Holmes in their short-lived, The Geese.Mike Kinsella continues to play in Joan of Arc with his brother Tim Kinsella and is recording solo material as Owen.

A testament to the act's lasting influence, American Football maintains a loyal fan base eager for material from the band. Due to an outpouring of request, in 2004 Polyvinyl reissued American Football on vinyl and since, the label has also released a new American Football T-shirt design. Following up on past success and requests, in 2008 Polyvinyl issued a 1-sided 12" of the American Football EPwith new photography by Chris Strong. Despite the small amount of recorded work and hardly any touring, American Football remains one of Polyvinyl Records most beloved bands to this day.


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Tags | 18+ | Follow | @americfootball | @LincolnHall |
Wed. Jan 14 2015

Wednesday, January 14 2015 8:00 PM
18+ $75.00

Lincoln Hall
Jam USA button

This five-day pass will get you into to any Tomorrow Never Knows. Some shows will require a pre-show RSVP. You will be contacted about any of these. Follow us on Facebook, Twitter and Tumblr for all updates.



A brief recap of last year's festival:


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