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With our state-of-the-art sound and video systems, world-class catering options, top-rate staff, full kitchen, three stocked bars, gorgeous dining room, and spectacular music hall, Lincoln Hall is perfect for your next private event.

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  • Lincoln Hall is located at 2424 N. Lincoln Ave. in Chicago, IL.

  • Advance tickets guarantee entry to the show.
    • They are general admission only and DO NOT guarantee seating.
    • For the best seats/position in the music room please arrive 30 minutes prior to show time to pick-up your tickets.
    • All shows are 21+ unless otherwise noted.
  • Tickets ARE NOT mailed to you.
    • A NON-REFUNDABLE service charge will be added to the purchase price of each ticket - in the instance of a show cancellation, this fee will not be returned.
    • All tickets purchased through the web site are NON-REFUNDABLE.
    • All tickets are NON-TRANSFERRABLE.
    • The name in the 'Shipping Address' portion of your order will be the name your tickets are held under at the door- if you are buying tickets for someone else, you must indicate their name in these fields.
    • Advance tickets are only available through LincolnHallChicago.com (until 5 pm day of show) and JamUSA.com when noted. Lincoln Hall does not have a physical box office. Walk-up ticket purchases are only available at Lincoln Hall beginning one hour before listed show time unless the show is sold out.
    • Please add "no-reply@lincolnhallchicago.com" to your address book to ensure you'll receive your confirmation email.
Wed. May 14 2014

9:00 PM   21+   $15 Doors

Lincoln Hall
Jam USA button

Tickets

:QTY

In 2011 with the release of his debut, self titled album, The Haxan Cloak, solo project of multi instrumentalist, Bobby Krlic, appeared seemingly out of nowhere with an impressively fully formed sound that blew away most anyone who heard it. Recorded over the space of 3 years The Haxan Cloak was a wildly ambitious fusion of malevolent strings, junkyard found-sounds and primitive percussion, Krlic’s grand ambitions transcending the fact that it was all recorded in a shed at the bottom of Krlic’s parent’s home in Wakefield, Yorkshire. In the two years since the release of his debut, Krlic relocated to London and began working on it’s epic follow up, and Tri Angle Records debut; Excavation.

Bolstered by the concept he was developing for his follow up and a desire to challenge himself into new terrains, Krlic has evolved his sound to incorporate more of his electronic influences. The result is an album awash with serrated beats and cavernous sub-bass, meshing with the classical drones and ghostly details The Haxan Cloak fans will have already been accustomed to. Excavation finds Krlic confidently adopting a more minimalist approach to his compositions, experimenting with space and silence without forsaking any of the intensity that made his debut such a powerful statement of intent.

If The Haxan Cloak was conceived as the soundtrack to a character’s journey towards death, Excavation is its sequel representing the journey after death. Excavation is about disconnecting entirely from this and entering upon a more astral plane, explaining some of the albums more ethereal, ambient moments that are in constant tension with jagged and aggressive elements. This journey isn’t supposed to represent an archetypal Heaven or Hell scenario, but something more abstract and unknowable; the abstraction of the situation being one of its most unsettling aspects. Excavation is another uncompromising, incredibly personal record from an artist who is continuing to operate very much within his own world.


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