In the four itinerant years since their self-titled debut, Smith Westerns have grown unphased by the rigors of touring. The melodic indie-rock group—whose latest album, Soft Will, drops June 25—has tested its mettle (and passed) with pivotal opening slots for MGMT and Wilco, not to mention high-profile stints in front of the itchy, overbaked masses at Coachella and Lollapalooza. Yet, come February 2012, after finishing up a whopping 140 dates to promote their second album (the critically hailed Dye It Blonde), Smith Westerns were apprehensive about returning home to headline a gig in their native Chicago.
When Smith Westerns finally arrived home, friends they looked forward to seeing had moved, and clubs they once frequented had disappeared. All the while, on the road, singer-guitarist Cullen Omori, bassist-brother Cameron Omori, and guitarist Max Kakacek had grown from—as they say in music parlance—boys to men. Everything, now, was ominously different.
This intersection between success and post-tour unrest culminates in the band’s third full-length, Soft Will, produced by Chris Coady (Beach House, Yeah Yeah Yeahs) and the first to feature new drummer Julien Ehrlich, formerly of Unknown Mortal Orchestra. It starts with “3am Spiritual,” the album’s dreamy opener. “You’re creating your own future,” says Cullen, “and lot of the ideas on the record were reactive. For a long time, you’re playing music every night where you’re bringing the party. And you go from having something to do every day to…nothing.”
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