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With our state-of-the-art sound and video systems, world-class catering options, top-rate staff, full kitchen, three stocked bars, gorgeous dining room, and spectacular music hall, Lincoln Hall is perfect for your next private event.

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  • Lincoln Hall is located at 2424 N. Lincoln Ave. in Chicago, IL.

  • Advance tickets guarantee entry to the show.
    • They are general admission only and DO NOT guarantee seating.
    • For the best seats/position in the music room please arrive 30 minutes prior to show time to pick-up your tickets.
    • All shows are 21+ unless otherwise noted.
  • Tickets ARE NOT mailed to you.
    • A NON-REFUNDABLE service charge will be added to the purchase price of each ticket - in the instance of a show cancellation, this fee will not be returned.
    • All tickets purchased through the web site are NON-REFUNDABLE.
    • All tickets are NON-TRANSFERRABLE.
    • The name in the 'Shipping Address' portion of your order will be the name your tickets are held under at the door- if you are buying tickets for someone else, you must indicate their name in these fields.
    • Advance tickets are only available through LincolnHallChicago.com (until 5 pm day of show) and JamUSA.com when noted. Lincoln Hall does not have a physical box office. Walk-up ticket purchases are only available at Lincoln Hall beginning one hour before listed show time unless the show is sold out.
    • Please add "no-reply@lincolnhallchicago.com" to your address book to ensure you'll receive your confirmation email.
Mon. Oct 14 2013
The Topman + Pitchfork Music Festival Fall Series welcomes... Buy on iTunes

8:00 PM   21+  

Lincoln Hall
Jam USA button

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The Blow is an electronic pop duo comprised of Khaela Maricich and Melissa Dyne. The Blow has taken various incarnations over the years: initially begun as a solo project by Maricich, the band was joined for a couple of albums by Jona Bechtolt of YACHT, after which it morphed into its current shape as the collaborative power convergence of Maricich and Dyne. In live performances, Maricich and Dyne work from opposite ends of the room, hugging the audience in between them, with Khaela on the main stage and Melissa on a separate stage at the back of the room. Onlookers stand in the direct path between the performers, encircled and perforated by the call and response of soundwaves, lightbeams and invisible communications between Maricich and Dyne. The shows on the upcoming tour are an open laboratory for experimentation using the elements that each artist has been honing over the years. The artistic styles and strengths of each member of The Blow reflects the different ways in which each one dreams at night. Dyne works with the physics of sound and light: in sleep she dreams of being a beam of light bouncing off of a ferrari. She has worked predominantly as an installation and sound artist, and from her post in the back she manipulates electronic instruments, shooting waves of frequency and light like a wizard hidden by the fireworks. Maricich dreams are filled with imaginary words and odd scenarios: during performances she plays with melody and narrative and gesture, bouncing herself off of whatever materials are thrown in her direction by Melissa, by an audience, from the ether. Together they produced a new album, titled The Blow, released on October 1, 2013. The album exists as a physical manifestation of the odyssey of experimentation on which The Blow has embarked, a mass of cells ready to divide and explode into new forms, to mutate with the local populations, to see what else could happen.

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