Bear in Heaven have trapped echos, tremors, winds, and fading light. Theyve redefined time, and folded it. Theyve unbuttoned sound, and realigned it. Within four walls in Brooklyn, Jon Philpot, Adam Wills, Sadek Bazaara, and Joe Stickney mined the democracy of their collaboration, plus the endless hours of streamofconsciousness recorded documentation of rehearsals over the past years, to conceive the crystalline form of Beast Rest Forth Mouth, their second album, their exaltation.
A seed planted in the Southern US years ago (all members hail from Georgia or Alabama), Bear In Heaven began as the musical arm of Jon Philpot in 1998. Time eventually brought in a slew of players, like rickety scaffolding, that grew the sound and guided the group to morph from a 6to5to4piece. As a fourheaded organism, Bear In Heaven has now found a sonic stride unlike any in their history. Freely acknowledging the importance of the number four, the album Beast Rest Forth Mouth (think 'East West North South') was a conscious product of the four compass points, of the four makers, and of the inevitable confusion that manifests from that crossroad mentality: four directions could lead you anywhere and everywhere. Its the acknowledgement of what can go down at that convergence, at that dusty center, that drives Bear In Heaven and imbues the songs of Beast Rest Forth Mouth with something akin to both eternal peace and nervous urgency
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