In a traditional New Orleans funeral procession, “the second line” refers to the lively troupe of brass musicians who trail behind the mourners, injecting a spirit of spontaneous celebration into an otherwise somber affair. Indeed, Elvis Perkins in Dearland’s new eponymous album feels very much like the second line to his exquisitely melancholic and much-hailed solo debut Ash Wednesday. Ash Wednesday gained Elvis a dedicated and reverent following for its nuanced meditations on death and grief—many moments on that first record felt as if the listener had tip-toed into the intimate confines of a private elegy, enveloped in that wondrous, old-soul quality of Elvis’s voice.

From AA Bondy: My new record is called When The Devil's Loose. To me it sounds like a radio washed ashore after a shipwreck. This whole thing started in upstate New York with snow on the ground. I got out of there, drove around the country for a bit and landed in Water Valley, Mississippi, where I kept working. The days grew longer and the snakes began to wake up. I ate catfish and walked around a lot. We got a lot of rain. The weeds grew at an alarming rate and we finished work one night under a red moon. My last record was called American Hearts. I know people that like it. Fat Possum Records put it out and is releasing When The Devils Loose. My brothers and my friends helped me record this new one. I'd like to thank them for that.

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