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With our state-of-the-art sound and video systems, world-class catering options, top-rate staff, full kitchen, three stocked bars, gorgeous dining room, and spectacular music hall, Lincoln Hall is perfect for your next event.

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  • Lincoln Hall is located at 2424 N. Lincoln Ave. in Chicago, IL.

  • Advance tickets guarantee entry to the show.
    • They are general admission only and DO NOT guarantee seating.
    • For the best seats/position in the music room please arrive 30 minutes prior to show time to pick-up your tickets.
    • All shows are 21+ unless otherwise noted.
  • Tickets ARE NOT mailed to you.
    • A NON-REFUNDABLE $2.75 per ticket service charge will be added to the purchase price of each ticket - in the instance of a show cancellation, this fee will not be returned.
    • All tickets purchased through the web site are NON-REFUNDABLE.
    • All tickets are NON-TRANSFERRABLE.
    • The name in the 'Shipping Address' portion of your order will be the name your tickets are held under at the door- if you are buying tickets for someone else, you must indicate their name in these fields.
    • Advance tickets are only available through LincolnHallChicago.com (until 5 pm day of show) and JamUSA.com when noted. Lincoln Hall does not have a physical box office. Walk-up ticket purchases are only available at Lincoln Hall beginning one hour before listed show time unless the show is sold out.
Sun. Dec 12 2010
An Evening with...
Buy on iTunes

Sunday, December 12 2010 7:00 PM
All Ages $22.00 ($25 Door)

Lincoln Hall
Jam USA button

Thile has earned the right to impart a bit of his own hard-earned wisdom in the lyrics he’s contributed to Antifogmatic, which the quintet cut live at Ocean Way in Los Angeles with producer Jon Brion and engineer Gregg Koller. At the heart of the Punch Brothers’ 2008 debut, Punch, Thile’s four-movement “The Blind Leaving the Blind” chronicled in cathartic detail the events and faith-shaking emotions surrounding the dissolution of his youthful marriage. The musically rigorous, personally revealing composition—carefully notated but allowing room for improvisational passages—came to vivid life in the hands of the former Nickel Creek singer’s old friends and newly recruited bandmates: guitarist Chris Eldridge, banjo player Noam Pikelny, violinst Gabe Witcher and bassist Greg Garrison, each of whom were already envelope-pushing figures in the forefront of modern bluegrass, folk and country. (After the departure of Garrison, Paul Kowert, a member of mandolinist Mike Marshall’s Big Trio, stepped in.) “The Blind Leading the Blind” was bracketed by four collaboratively conceived instrumental pieces from this freshly minted group, a foretaste of what was to come two years later on Antifogmatic. Upon the release of Punch, the Washington Post described this then-new band as “some of the best string-band pickers of the new generation, and Thile has given them rich, challenging music to wrestle with.”

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